• Dissertation Fellowship, University of Connecticut, 1993
• Summer Fellowship, University of Connecticut, 1991
• N. E. H. Summer Seminar Fellowship (1985): "Shakespeare and the Problem of Genre"(Marjorie Garber/Harvard University)
• Scholar, Department of English, Clark University, 1978-1979

Books:

• The X-Files and Literature, editor; Cambridge Scholars Publishing, 2007.

Articles

• The Woolf Who Cried Wordsworth or  Subversion of The Prelude in Jacob's Room Mid-West Quarterly (Summer 2004).
• "The Truth Is Out There In Elsinore:  Mulder and Scully as Hamlet and Horatio"  Literature and Film Quarterly (April 2004).
• "The Sage Felicia and the Grave Mellissea" ANQ. 16.2  (Spring 2003):  5-14.
• "Shakespeare's Rosalind as Paragon of Victorian Womanhood"  Text and Performance Quarterly (January 2002).
• "Emily Brontë:  More Renaissance Woman Than Romantic." (English Language Notes, September 2001)
• "Algernon Blackwood's Gentle Gothic." The Romantist. 9-10 1985-86 (1997): 61-64.
• "The Comedy of Errors: Variation of a Festive Theme." The Upstart Crow. 14 (1994): 11-27.
• "Fallacious Renunciation in Works on Henry James." The University of Dayton Review. 22. 2 (Winter 1993-94): 101-12.
• "All's Well That Ends Well." The Explicator. 50. 4 (Summer 1992): 199-202.
• "As You Like It: Imagination as the Symbolic Bond between Artist and Audience." University of Portland Review. 37. 2 (Fall 1985): 9-19.

 Reviews:

• "The Female Pastoral Guide in Renaissance Drama."
• "Mary Shelley's Subversive Use of Pastoral in Frankenstein."
• "Nature Selects the Horla:  Darwinian Thought and de Maupassant's 'The Horla'."